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EBay and the Illegal Looting of Antiquities

1) Need something you can't find here? Maybe it's on Ebay

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EBay and the Illegal Looting of Antiquities: Archaeologists worry a lot about looting. Artifacts stolen from historical sites fetch high prices on the black market, which gives looters strong incentives to steal these items.

The emergence of eBay, therefore, was a nightmare for those who hated looting. Reducing transaction costs and making the market more liquid would certainly lead to more looting. EBay almost certainly had that effect in other markets, I suspect, like baseball cards and Beanie Babies.

So of course it would happen in antiquities as well, wouldn’t it?

Apparently, eBay had exactly the opposite effect on looting. It seems to have reduced it, or at least that is what this fascinating article from Archaeology argues. The reason: whatever impact eBay had on the market for antiquities, it had an even bigger impact on the market for forged antiquities! The crush of faked artifacts had a sort of “lemons” effect on the illegal antiquities trade, with low-quality items driving out high-quality items. In addition, the bigger market gave forgers a stronger incentive to invest in high-quality fakes, to the point where now experts can have a hard time identifying the fakes. For instance, the author of the Archeology piece, Charles Stanish, writes:

In an antiquities store in La Paz, I recently saw about four shelves of supposed Tiwanaku (ca. A.D. 400-1000) pottery. I told the owner that most were fakes and she became irritated and called me a liar. So I simply touched one at a time, saying “fake,” “real,” “real from Tiwanaku,” “fake,” “fake made by Eugenio in Fuerabamba,” and so forth. She paused for a moment, pulled one down that I said was real, and told me that it was also a fake. I congratulated her on the fact that her fakes were getting better and she just smiled. My mistake is an instance of what San Francisco State University archaeologist Karen Olsen Bruhns has identified as a very real problem — the experts who study the objects are sometimes being trained on fakes. As a result, they may authenticate pieces that are not real.

Even if you are not interested in antiquities, I suspect you will find this piece fascinating reading.

(Hat tip: Larry Rothfield, who has a new book entitled The Rape of Mesopotamia : Behind the Looting of the Iraq Museum)

by Lawrence Rothfield (Author) "In February 2006 the famed golden dome of the Al-Askari Mosque in Samarra was destroyed in a bombing committed by members of an Al Qaeda..." 

Review
"The Rape of Mesopotamia is both a testimony and an appeal. It is a testimony to the cultural disaster which occurred in April 2003 under the eyes of millions of TV viewers. Lawrence Rothfield has carried out what he thought was his duty as a scholar and presented the facts and figures to the reader on what happened to the cultural heritage of Iraq. The book is also an appeal to the conscience of humanity, because the situation in Iraq has, unfortunately, led to continuous looting and destruction of works of art. Because the antiquities of Iraq are still unprotected, this book is coming at the right time to awaken those who are responsible for returning this country to a normal life."-Mounir Bouchenaki, Director-General, International Centre for the Study of the Preservation and Restoration of Cultural Property (Mounir Bouchenaki, Director-General, International Centre for the Study of the P )

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Need something you can't find here ?  
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April 23, 2009 — Tim - Even 3 year olds prefer items that are authentic to perfect duplicates of those items. This seems to be a natural instinct.

See Hood & Bloom (2008):
http://www.yale.edu/minddevlab/papers/hood&bloom.pdf

April 23, 2009 — bix - As an archaeologist (although I don’t do artefacts, I do tephrochronology), I have to agree with #2 when he/she mentions the dating. Although radiocarbon dating is unlikely in the case of an artefact (can only be done on things with preserved organic matter, like bones, plants, seeds, etc), there are a number of other interesting things that could be done with it. It could be dated in other ways, it could have its material and glazing analysed to reveal its origins and manufacture, and any other residue, chemical or organic, could be analysed to determine use and place within the economy or spiritual life of the people who made it.

Essentially, the difference between a good forgery and the real thing is the difference between whether you just want a nice piece of art with no meaning behind it beyond evidence of a culture that promotes forgery, or whether you are genuinely interested in the context of the past lives that created an item.

If you do just want it for the art, though, then please do buy the forgeries, so we can get the real things into our labs!

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Read also in this section:  Home ] Up ] the Gelbard Collection ] Peggy Guggenheim collection ] Alexis van Opstal ] Collecting African Art-Supernatural ] African Map ] Paul and Clara Gebauer Collection of Cameroon Art ] Alan Mann ] Jolika Collection lawsuit ] durand-barrere ] african art club January 09 ] fundation Beyeler ] [ Ebay looting ] african art terracotta ] African Art exhibit ] haitian art ] ife bronze ] charles derby ]  

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